Set at the death of the samurai age, Japanese master Nagisa Oshima's first feature in 13 years charts the disruption of a militia barracks by the arrival of Ryuhei Matsuda's androgynously beautiful young swordsman. A partial return to the erotic obsession of In The Realm Of The Senses, it's a bleak but mesmerically beautiful movie where realism balances with dreamy stylisation.

A Bosnian and a Serb share a trench in this Oscar-winning anti-war film which uses farce and satire to convey its message. The director's an experienced documentary maker; there's truth in his portrayal of an absurd conflict. Sadly the late, great British actress Katrin Cartlidge, ever one to support worthy causes, is miscast as an egocentric reporter.

Nanni Moretti's Cannes-winner is restrained and moving, with the Italian writer/director forsaking his comic urges to examine how a teenage son's death affects a family. Moretti plays the father, a psychoanalyst who, grieving, loses interest in his patients. Awkward emotions are deftly handled: Hollywood should watch this and learn.