A Kyoto skyscraper is contrasted with a crematorium chimney, gravestones abound, as do sinister black crows. And yet despite the lugubrious undertow of this, Yasujiro Ozu's penultimate movie (made two years before his death), there's a warmth to the tale of the Kohayagawa family, their ailing business and their eccentric patriarch that somehow transforms post-war angst into sublime acceptance.