Los Angeles duo No Age surfaced last year with Weirdo Rippers, a compilation of early vinyl cuts that suggested a couple of wide-eyed punk kids dudes discovering the manifold delights of effects pedals for the very first time. A year later, and singer/guitarist Randy Randall and singer/drummer Dean Spunt are ensconced on Seattleโ€™s Sub Pop, perfecting a debut album proper that promises much more.

Nouns poses an hypothesis of sorts: what happens when the punk rock of The Misfits and Black Flag meets the hissy lo-fi of Pavementโ€™s Slanted And Enchanted and the ecstatic throb of My Bloody Valentineโ€™s Isnโ€™t Anything? The answer is thirty minutes and twelve songs long, bashed out with Fonz-like cool, but captured with a fuzz-soaked, dreamy production that makes good use of the tools and methods of budget production: the smeared, neo-psychedelia of hissy four-tracks and cheap guitars played through cheap pedals, applied here not through necessity, but for sheer love of the sound.

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No Age are still punks at heart: the opening โ€œMinerโ€ busts out the traps at speed, but itโ€™s blurred and chaotic, vocals subsumed in a mush of effects. Spunt and Randell make this sound their own, though: the joyful โ€œSleeper Holdโ€ imagines surfboards waxed and skate ramps traversed through a humid haze, azure guitars crashing like waves, while at the other of the spectrum, โ€œImpossible Bouquetโ€ offers a drifting, ambient guitar interlude with more in common with Fenneszโ€™s Endless Summer or The Durutti Column than any more familiarly punk touchstone.

The gorgeous โ€œCappoโ€, meanwhile, echoes a much earlier generation of Californian songsmiths, voices multi-tracked in some surreal echo of Pet Sounds: โ€œDonโ€™t you wanna cry?/If I were you, Iโ€™d cry/Force it outโ€ฆโ€ In an age where every rock riff must be compressed for maximum punch, No Ageโ€™s quixotic recording techniques might leave them feeling slight. Taken on its own terms, though, Nouns is a righteous success: delightfully dazed, good-times punk rock for a new generation of Californian dreamers.

LOUIS PATTISON