The acting, to a point, you can forgive. Mick Jaggerโ€˜s solo career, however, is a bit of a thornier issue. It was this, after all, which led Keith Richards to spend a couple of years referring to the singer as โ€œBrendaโ€ โ€“ and which, unlike (i)Ned Kelly(i) or even (i)Freejack(i), nearly broke the Rolling Stones. T

he evidence here suggests it may not all have quite been worth it. Undoubtedly there are high points โ€“ the great โ€œMemo From Turnerโ€ and the long-bootlegged โ€œToo Many Cooksโ€ โ€“ but for the most part, the music from his four solo albums reflects less Jaggerโ€™s talents as a lyricist and interpreter, more his businessmanโ€™s eye for prevailing trends.

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Duly, even recent material โ€“ the Garbage-like โ€œGod Gave Me Everythingโ€, for example โ€“ has not dated so well. As for the Linn drums and reverb on the โ€™80s material? Itโ€™s enough to make a grown man cryโ€ฆ

JOHN ROBINSON