When Charisma owner Tony Stratton-Smith hired former Monkee Michael Nesmith to produce Jansch’s 1974 debut for the label, the idea seems to have been to make a record that could bring the folk icon to a wider audience.

As it happened, the stunning LA Turnaround became one of Bert Jansch’s least-heard albums. Otherwise, though, mission accomplished: Nesmith brought Red Rhodes, pedal steel genius of his own First National Band, and the greater part of the record is simply Rhodes’ sublimely intuitive playing intertwining with Jansch’s.

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Throughout, Bert’s deep-rooted British balladry meets Nesmith’s experiments in avant-country, and on songs like the sparkling, hypnotic “Fresh As A Sweet Sunday Morning”, it’s difficult to imagine how anyone could fail to love it. Jansch’s other Charisma albums, (’75’s Santa Barbara Honeymoon and ’77’s A Rare Conundrum) are also making overdue CD appearances.

DAMIEN LOVE

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