Sixties power-poppers inspired, aided and abetted by The Beatles

A labour of love for Jonathan Demme who spent seven years following Haitian human rights activist and broadcaster Jean Dominique. An agronomist by background on an island run by bandits, Dominique's struggle to bring justice to his homeland ended in a hail of bullets outside Radio Haiti in 2000. For all Demme's efforts, you never feel the film quite cracks its subject, but it does throw a grim spotlight on Haiti's interminable agonies.

Shot at Brixton Academy at the end of Moloko's 2003 tour, this is a limp wander through the band's hits which even Roisin Murphy can't lift. There's none of the inter-band tension that a year on the road might have generated, and they even manage to mangle "Sing It Back". For devotees only.

The timing of this show is somewhat odd, coming as it does nearly a month before the release of Malin's second album, The Heat. The audience doesn't know the new songs and Jesse chides them for their reserve when he plays the unfamiliar material. He admits it's his own fault, though. The album was meant to be out now, but was delayed when he added two extra tracks.

The Boston grunge-pop godheads make the most significant rock comeback in a decade

Woody Allen goes in search of a younger demographic

Good end-of-the-world hokum

BBC documentary takes a dark ride into the Deep South

The Pixies and The Cure turn up the desert heat at the fifth Coachella Festival

Brooklynite Jon DeRosa's outfit are deceptive. At face value, PHAR offer little more than a sad shuffle, the odd cracked waltz and scattered flurries of noise. But give it time and these trampled-heart melodies burrow under the skin. Last year's Uncut-endorsed These Are The New Good Times was DeRosa's stoned-slacker take on slo-mo country mores, but here he broadens the palette with the addition of Low collaborator Marc Gartman as co-songwriter and ex-Mercury Rev pedal-steeler Gerald Menke.