When Klaus Dinger died a few months ago, I mentioned in an obit here that I had an unpublished interview with Dinger and Michael Rother, from when they briefly reunited to promote the Neu! reissues in 2000.

As someone who has spent a good decade lavishing praise on/making excuses for Julian Cope’s music while so many of his old fans have wandered off in dismay at another Brain Donor CD, I suppose I shouldn’t have been surprised at being one of the very few people who enjoyed his show at Latitude last month. I blogged about this captivating spectacle at length over here, so won’t go into it all again now.

Twenty minutes before they come on, the crowd’s excitement becomes increasingly palpable, an audible hum, an impatient restlessness swarming through the massed ranks of Drive-By Truckers die-hards pressed hard against the front of the stage and spreading quite contagiously through the serried ranks of the people craning their necks for a better view on the outer perimeter of an impressive turn-out, even thought here’s nothing yet to see, apart from a few scurrying roadies, bumping into things in the dark.

Low-key, high impact pop; Reissued over two discs with live versions

The Foos Wembley Stadium shows is released next month

Welcome to Waitsville. A place where bad jokes are good, Vaudeville never died, and the talk is of smoking monkeys, weasels and the mating habits of the preying mantis.

It’s the moment half way through the set when she arrives, with a swish of the curtain, on stage astride a giant silver skull, wearing a flowing red trouser suit and cap, that we realise we just aren’t in Kansas any more, Toto.

New album from the reformed band to follow shows too

'Konk' goes on the road, including 3 nights at the Roundhouse

His decadent rock opera, finally brought to stage and screen, 33 years after its original release