As you may have heard, we've just launched the Uncut Music Award, to find the most inspiring and richly rewarding album of the last 12 months. We'll be posting all the latest news about the award here, but first we should explain the details.

25 albums from the past 12 months vie for the prize chosen by 10 judges including Peter Hook and Edwyn Collins

Psych-pop faerie kings fire up the randomiser

In the next few months, Domino are planning a big reissue series of the Robert Wyatt back catalogue, and the arrival of the first batch the other week compelled me to dust down this interview transcript from the summer of 2007. I visited Wyatt at home in Louth, a little before the marvellous “Comicopera” was released. An edited version of the interview appeared in Uncut last year but, if you’ll excuse my indulgence, I thought the whole thing was worth putting out there. An incredible man, I think.

Click on the link for Part One of the interview. You recorded with Syd Barrett. Well he asked us. I was really surprised, but we [Soft Machine and The Pink Floyd] were two bands that played in the same places that weren’t playing “In The Midnight Hour” and stuff – because neither of us could play it very well, probably.

Click on the links for Part One and Part Two of the interview. That “Rock Bottom” was partially written before accident is fascinating, because it’s so often stereotyped as a post-traumatic record. It’s a funny thing, I always feel embarrassed to say this, but I don’t mind being in a wheelchair.

Click on the links for Part One, Part Two and Part Three of the interview. Is it fair to see the last three LPs of a piece? They seem to sit together as a sequence. Yeah I think what I found, funnily enough, is sometimes you get what you want when you stop trying to get it.

Bee Gees Robin Gibb also set to collaborate with Sam Sparro

Slowing the tempos, the Followills speed their ascent to the rock pantheon

Rocking against all odds - the story of Acrassicauda