Calexico’s new album, Algiers, is reviewed in the current issue of Uncut (October 2012, Take 185) – so we thought we’d take a trip back to April 2003 (Take 71), when Uncut’s John Mulvey flew out to Tucson, Arizona to discover more about the duo’s redrawing of the alt.country map. __________________________

Given today's news about the Led Zeppelin DVD, it occurred to me that this might be worth putting online: my review of the 2007 show...

OK I’m going to try and be relatively brief with this – or at least as brief as one can hope to be when dealing with the longest studio album that Neil Young’s ever made. I’ve written what I hope is an exhaustive review of “Psychedelic Pill” for the next issue of Uncut, and don’t really want to repeat myself too much.

Three people have been killed and a number of others seriously injured after a coach returning from Bestival overturned after crashing into a tree last night (September 10). The 51-seater coach was going north on the A3 road in Surrey when the crash happened near the Hindhead Tunnel at 11.50pm (BST) last night. According to BBC News, the coach veered off the carriageway between the tunnel and the Thursley exit and hit a tree. No other vehicles were involved in the crash.

The desert rockers soak up some New Orleans spirit, with refreshing results...

Chan Marshall’s new album, Sun, is reviewed in the latest issue of Uncut (Take 185, October 2012) – this week’s archive feature, from December 2006 (Take 115), finds Marshall recovering from a breakdown after perhaps her most successful year to date. Here, she tells Marc Spitz how she pulled herself back from the edge… ________________________________

Bob Dylan’s fantastic new album opens with a train song. Given the wrath to come and the often elemental ire that accompanies it, not to mention all the bloodshed, madness, death, chaos and assorted disasters that will shortly be forthcoming, you may be surprised that what’s clattering along the tracks here isn’t the ominous engine of a slow train coming, a locomotive of doom and retribution, souls wailing in a caboose crowded with the forlorn damned and other people like them.

As part of our Nick Cave cover story in the current issue of Uncut, I spoke to film maker John Hillcoat. Hillcoat and Cave’s friendship stretches back to Melbourne in the late 1970s, while their first professional collaboration came in 1981, when Hillcoat edited the promo video for The Birthday Party single, “Nick The Stripper”.

“Sometimes you gotta go get mad!” The full gang reconvene in Baltimore for a feral but friendly ninth...

Beautifully measured return to the studio from this humble master of English song...