With the remastered “fictional documentary” Feast Of Friends set to be released properly for the first time on November 11, here’s a piece from the Uncut archives (February 2007 issue, Take 117) – a look at how The Doors created the epic closer to their final studio album, LA Woman, which would prove to be Jim Morrison’s haunted, spiritual swansong. Ray Manzarek, Robby Krieger and John Densmore tell the story… Words: Mick Houghton

Among my post last week, I received a nice care package from Ace Records that included one quite weird Duke Ellington album ("My People"); Volume 3 of their "Where Country Meets Soul" series (I cannot recommend Ralph ''Soul'' Jackson's version of ''Jambalaya'' highly enough); and, maybe best of all, "Cracking The Cosimo Code", a collection of extraordinary music originating from Cosimo Matassa's New Orleans studio in the 1960s.

The director talks glaciers, No Wave and The Sons Of Lee Marvin

U2’s shock-released new album, Songs Of Innocence, is largely themed around the band’s childhoods and adolescence in Dublin, according to Bono. Well, here’s what came next… This is the full story, as told by those who were there, of U2’s rise from indie hopefuls to becoming the Biggest Rock Band On The Planet. Written by Stephen Dalton, and originally published in Uncut’s December 1999 issue (Take 31).

Tonight, August 26, Kate Bush returns to the stage for her first live shows in 35 years. To celebrate, here’s our cover story from the archives (June 2010, Take 157), in which Uncut takes a phantasmagorical trip into suburbia to learn the untold story of Kate Bush’s masterpiece, Hounds Of Love. "She ain’t daft. People shouldn’t be fooled by the mystical hippy stuff, this girl is very, very tough." Story by: Graeme Thomson __________

Last year, Warp Records embarked on a campaign for Boards Of Canada's "Tomorrow's Harvest" comeback that was notable for its obtuseness. Unmarked 12-inches were hidden in record stores, strings of numbers and inexplicable broadcasts were strewn enigmatically across the internet. At one point, I recall some talk of red moons and feverish online triangulations pointing to a bookshop near Edinburgh as the centre of the universe. It was all fun, and the album at the end of it all was great, but perhaps it wandered a little off course as it went on.

As The Kinks prepare to release a deluxe edition of Lola Versus Powerman And The Moneygoround Part One, packaged with soundtrack Percy, we take a trip back to Uncut’s November 2007 issue (Take 126), where Ray Davies talks Uncut through some of the best albums he’s made in his long career. “My songwriting has been my ally through life,” Davies muses, “because I ain’t got much else.” Words: Nick Hasted

This is the full text of my interview with Hurray For The Riff Raff in New Orleans, that appeared in the print edition of Uncut a couple of months ago. I've added a lot of music to listen to as you read; not just by Alynda and the Riff Raff, but by some of the other New Orleans musicians who are critical to the story.

How does the most innovative guitarist of his generation spend his spare time? By writing masterful film scores and trying to reinvent how music sounds, it seems. Jonny Greenwood’s There Will Be Blood soundtrack is performed at London’s Roundhouse on August 6 and 7, and here, in this piece from Uncut’s April 2011 issue (Take 167), Rob Young penetrates Greenwood’s studio lair and discovers, among other things, what Radiohead have been up to of late...

AC/DC have revealed that they have completed work on their new album. Brian Johnson, who collected an honorary doctorate from Northumbria University today, has said that the band have finished work on the LP, which they have been working on in Vancouver. It is likely to be released later this year or early next year. "It was brilliant over there. We’re done. I’m very excited and we’ve got some great songs," he told Metal Hammer.