With Mushroom having left the band and Daddy G taking a sabbatical from the studio to concentrate on family life, it falls to Robert Del Naja (3D) to carry forward Massive Attack into the beyond, in collaboration with Neil Davidge, the producer of their third album Mezzanine (1998). Without Mezzanine's layers of guitar, which left some Massive Attack lovers narrowing their eyes doubtfully, 100 Windows seems at first subdued. Much as shapes only gradually reveal themselves in an initially pitch black room, so it is with this album, which takes a few listens to become accustomed to.

Dull debut from rated nu-metal quintet

Spiky, spunky Leeds singer-guitarist's debut, recorded in Austin with Spoon

Unusually potent comeback continues

Tex-Mex pioneer who prefigured country rock in the Beatlemania era

Twelve-year chronicle of demos and live cuts from '90s keepers of pop flame

Wide-ranging anthology of classic gospel tracks

Big-hearted coming-of-age story

Another dusting-off for the Plastic Ono Band, playing for peace and headlining over Bo Diddley, Jerry Lee, Chuck Berry and Little Richard. Yoko climbs out of a bag to shriek along with the atmospheric desperation of "Yer Blues" and "Cold Turkey", and provides the highlight, during "John, John (Let's Hope For Peace)", by throwing Eric Clapton into such confusion he doesn't know what to play.

Brazenly preposterous Manhattan thriller follows clinical psychologist Michael Douglas as he tries desperately to extract the location of a stolen jewel from the mind of trauma patient Brittany Murphy to satisfy the demands of crazed kidnapper Sean Bean. Eminently ludicrous stuff, but wonderfully anchored by Douglas' trademark beleaguered male schtick.