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Reviews

Otis Redding – Dock Of The Bay Sessions

A collection that reimagines Otis Redding’s final album

First Reformed

Ethan Hawke's lonely priest struggles to find meaning in Paul Schrader's latest

John Renbourn – Live In Kyoto 1978

Intimate recording of a master at work

Gwenifer Raymond – You Were Never Much Of A Dancer

A gorgeous debut of guitar soli: American Primitive via Cardiff and Brighton

Natalie Prass – The Future And The Past

Modern anthems with a jazz-funk vibe

Kamasi Washington – Heaven And Earth

LA sax titan’s bold and luxurious latest

Whitney

Authorised documentary about the late singer

Ryuichi Sakamoto: Coda

Superior doc about the esteemed musician

Rolling Blackouts Coastal Fever – Hope Downs

Melbourne firebrands stretch out

Johnny Marr – Call The Comet

The ex-Smith’s most powerful solo LP yet
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There’s an alternate universe in which Otis Redding’s private jet lands safely on December 10 1967, where Otis returns to the Stax studio in Memphis, completes his single “(Sittin’ On) The Dock Of The Bay”, and puts it at the centre of a radical album that transforms soul music as we know ...

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