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Reviews

Brigid Dawson & The Mothers Network – Ballet Of Apes

A transcendent, jazz-inspired masterpiece from the former Oh Sees member

Laura Marling – Song For Our Daughter

The echoes of Joni, CSNY et al are no longer defining

Sparks – A Steady Drip, Drip, Drip

Arch art-pop siblings’ zingy 24th

Steve Earle & The Dukes – Ghosts Of West Virginia

On his 20th album, Steve Earle goes underground

Neil Innes – How Sweet To Be An Idiot

Shabby Road revisited: seventh Python’s solo debut overhauled

Waxahatchee – Saint Cloud

Back to her country roots with clearer vision

The Handsome Family – Odessa/Milk And Scissors

Opening blasts from Americana heroes

Roberta Flack – First Take: 50th Anniversary Deluxe Edition

A debut of remarkable vision and maturity, now with unreleased, non-album demos

James Elkington – Ever-Roving Eye

Chicago-based Brit brings it on home

EOB – Earth

Radiohead guitarist’s maiden solo voyage
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Listen to almost any Oh Sees release since 2006 and you’ll hear Brigid Dawson. That’s her providing interjections like Kim Deal on Floating Coffin’s “Minotaur”, melding with John Dwyer’s falsetto on Smote Reverser’s “Sentient Oona”, and harmonising spookily on Putrifiers II’s “...

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