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Reviews

Earl’s Closet – The Lost Archive of Earl McGrath, 1970-1980

Joyful, eclectic, unheard demos from the ’70s Stones associate

Amanda Shires – Take It Like A Man

Texan songwriter carves a bold new path on searingly honest seventh album

Little Feat – Waiting For Columbus: Super Deluxe Edition

Forty-five years later, an expanded revisitation of the Feat at their live best

Lee Bains & The Glory Fires – Old-Time Folks

Southern discomfort from the gifted country rocker

Sam Prekop & John McEntire – Sons Of

Captivating electronics from seasoned Chicago post-rockers

The Good Boss

Bardem's Blanco is at once loathsome, cosy and seductive in this black comedy by Fernando León de Aranoa

Andrew Tuttle – Fleeting Adventure

Banjo-wielding Aussie experimentalist broadens his soundscape

Grateful Dead – Europe ’72: 50th Anniversary Edition / Lyseum Theatre – May 26, 1972

The Dead’s definitive statement, 50 years on

Ty Segall – Hello, Hi

Indie-rock’s great restless spirit gets back to basics. Just don’t call it a lockdown album

The Walkmen – You & Me: The Sun Studio Edition

The NY-based quintet’s magnum opus, recorded at Sun Studios in Memphis with a five-piece horn section
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Earl McGrath sounds like a character from a Paul Thomas Anderson film. A socialite and bon vivant, he was born into poverty in Wisconsin before leaving a troubled home at 14 to join the merchant navy. Having broadened his geographical horizons, he started on his cultural ones, meeting WH Auden, Henr...

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