The law of diminishing returns applies as Barry Sonnenfeld hacks out a scant sequel to the initially promising sci-fi spoof. Will Smith must again save the human race from oddly-shaped monsters and hedonistic worms, and so restores Tommy Lee Jones' erased memories. Lara Flynn Boyle replaces Linda Fiorentino, who bailed. Wisely, it'd seem. Funny in flashes.
Following labelmate Jesse Malin's success, twentysomething Jeff Klein's take on warped American mores pitches up in a darker backwater. Opener "Everything I Alright" is a suicidal arsonist's tale built around a grisly-lullaby keyboard loop and guest (and Klein landlady!) Patty Griffin's back-ups. "If I Get To California" rocks like early Uncle Tupelo, and "Another Breakdown" is a huskier Ryan Adams.
While serving as a complete visual history of the Manics from their early days as glammed-up rock'n'roll agitators—with Richey-to their currently more statesmanlike demeanour, Forever Delayed also shows how perfectly video has suited their mix of music and protest. Live performance and increasingly sophisticated films and storyboarding are shot through with urgent messages, slogans, cut-and-paste docu footage and literary reference as the hits roll on.
Fascinating, propulsive, inside-out account of southern Santa Monica's badboy "Dogtown" skateboarders, their explosive mid-'70s emergence at the Del Mar Nationals, and their ultimate domination and artistic definition of their sport. Director Stacy Peralta and writer Craig Stecyk, both former skateboarders, provide access and insights, Sean Penn provides narration.