Nashville-based Miller's stock has never been higher: Emmylou Harris' musical director for the past five years; superb 2001 collaboration with wife Julie narrowly edged out by Dylan's Love & Theft at the Grammys. Four albums in, this is his finest solo foray yet, remarkable for Miller's skilfully-woven fretwork and plaintive moonlit moan. A couple of throwaway rockers aside, its ambitious scope reins in cajun, dirty blues and old-time country.
An authentic children's band from Lewes, East Sussex, Hunkydory signed to that safe haven for eccentrics, él records, in 1988. These five precocious children sang and played all their own instruments, with the bulk of the material being written and arranged by one of the band's dads. When él's funders Cherry Red heard the material they got cold feet, and withdrew funding. Fifteen years on, this time capsule is a perfect, irony-free companion to the bubblegum escapist fantasies of sibling Siesta acts Death By Chocolate and Lollipop Train.
Thought deceased, big beat is in fact set to be the new ska—resurrected every few years by students who think they've discovered a new sound. Brighton scene originators Skint are therefore proud of Fatboy Slim, Lo Fidelity Allstars and X-Press 2 with David Byrne, but who's got time to sit through 26 of their videos? Plenty of laughs here nevertheless, as typified by Doug Aitken's wigs'n' breakdancing promo for "Rockafeller Skank".
Passable psychodrama as up-tight corporate suit Julia (Stockard Channing) and haughty PA Paula (Julia Stiles) play out malicious power games in a hotel suite. This often lacks the wit and IQ required for a nerve-jangling thriller, but the assured leads provide seductive intrigue.