Magickal creation theory in latest music-backed spoken words from comics king

Double album of new songs plus remixes of old stuff from Sugababes' sugar daddy

Playful electronica from Japanese DJ

Esteemed wacky Welsh group's early years plus Ankst two-CD retrospective

First proper release in 40 years for landmark in American popular singing

Black artists reinterpret the Fabs

DIRECTED BY Roger Donaldson STARRING Al Pacino, Colin Farrell, Bridget Moynahan Opens March 28, Cert 12A, 114 mins When Colin Farrell signs up as a trainee CIA operative in Roger Donaldson's slick spy caper, he has more to deal with than weapons instruction, role-play exercises and psychological evaluation. He also has to cope with shameless grandstanding from Al Pacino giving another of those shouty, screen-hogging, over-the-top performances that have now become his trademark.

Enduringly popular epic, directed with vigorous panache by Richard Fleischer. Kirk Douglas and Tony Curtis are terrific as the feuding half-brothers, sons of hugely-bearded Viking warlord Ernest Borgnine, and there's an admirable amount of rowdy quaffing, hearty pillaging and general mayhem.

The sequel to Robert Rodriguez's maniacally good Spy Kids, with budding-Bonds Alexa Vega and Daryl Sabara up against a rival team of adolescent agents and the monsters of mad scientist Steve Buscemi's fantasy island. Suggesting a Ray Harryhausen movie invaded by the screwball surrealism of a Looney Tunes cartoon, it ups the first film's formula of candy-coloured cool stuff for kids and in-jokes for grown-ups. Quite fantastic.

Tim Robbins is Jacob, a Vietnam Vet trying to adjust to civilian life in New York but suffering from horrific, nightmarish visions. The after-effects of a military drug experiment, or something more sinister and supernatural? Even if Adrian Lyne's film makes a lot of confused choices, it's still an interesting—and genuinely scary—ride.