Iโ€™m just playing an old record by the great folk/psych/raga guitarist Peter Walker, who has recently returned to action after nearly 40 years of, as far as I can tell from a quick circuit round the internet, practising flamenco guitar. Amazingly, Walker โ€“ one of the few survivors of John Faheyโ€˜s generation of American primitives, and the man who provided musical accompaniment to Timothy Learyโ€˜s early experiments โ€“ is playing just down the road from me in Dalston, North-East London tonight.

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The venue is a promising new place called Cafe Oto, which has a fantastic list of forthcoming gigs. Iโ€™ll report back tomorrow, obviously.

In the meantime, hereโ€™s the latest Uncut playlist. The Comus is a highly enjoyable bootleg of their recent reunion gig onboard a Scandinavian ferry at a festival curated by Opeth, bizarrely. It features one of the weirdest of acid-folk bands trying to play โ€œVenus In Fursโ€ while the staggeringly drunk audience bellow along enthusiastically. Must have been fun, if you have sea legs.

1. Peter Walker โ€“ Echo Of My Soul (Tompkins Square)

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2. The Dodos โ€“ Visiter (Wichita)

3. The Fall โ€“ Imperial Wax Solvent (Castle)

4. Alexander Tucker โ€“ Custom Made EP (ATP Recordings)

5. Herbie Hancock/Thad Jones/Ron Carter/Jerome Richardson/Grady Tate/Jonathan Klein โ€“ Hear, O Israel: A Prayer Ceremony In Jazz (Trunk)

6. Larry Jon Wilson โ€“ Larry Jon Wilson (1965)

7. Marnie Stern โ€“ The Alchemist (Kissing Kin)

8. Comus โ€“ Live 2008 (Bootleg)

9. The Owl Service โ€“ A Garland Of Song (Southern)

10. Crystal Castles โ€“ Crystal Castles (Different)

11. Dennis Wilson โ€“ Pacific Ocean Blue/Bambu (Rhino)

12. Peter Walker โ€“ Second Poem To Karmela (Or Gypsies Are Important) (Vanguard)