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Joni Mitchell: “I can’t believe how good my voice sounds!”

Friends and collaborators on the extraordinary run of albums following her generation-defining masterpiece Blue

Introducing the new Uncut: Joni Mitchell, Small Faces, Kraftwerk, The Fall and more

Come from Joni and the Small Faces, stay for The Byrds, Suede, Bonny Light Horseman and a brilliant free CD

Dennis Bovell on his finest albums: “I have no problem calling the shots”

Originally published in Uncut's July 2022 issue Pioneering producer, songwriter, dubmaster and now MBE, Dennis Bovell has been busy as ever as he heads towards...

Julia Jacklin: “I was trying to mix Celine Dion with Throbbing Gristle”

From Melbourne to Montreal, Robyn to Goblin... the singer-songwriter discusses her new album

Introducing the Deluxe Ultimate Music Guide to Leonard Cohen

Archival interviews, in-depth reviews of every album and more

Blondie: “It was always kind of an experiment…”

Debbie Harry, Chris Stein and Clem Burke explore the roads not travelled during the formative years of the band

Yo La Tengo on “Sugarcube” and working with Bob Odenkirk: “He’s a genius”

In a studio converted for Elvis, the eclectic trio cook up a noise-pop confection. Then the future Saul Goodman makes it famous...

Crazy Horse on Neil Young’s Toast

Poncho and Billy on Neil's mythic 'lost' album

Cosey Fanni Tutti: “Whatever was thrown at me, it never destroyed me inside”

With a new memoir and album imminent, has the artist, musician and “wrecker of civilisation” in Cosey Fanni Tutti finally mellowed?

Chris Forsyth – Album By Album

Evolution here we come! The gradual blossoming of modern-day rock guitar maestro Chris Forsyth
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When you’ve released a generation-defining masterpiece, as JONI MITCHELL did with BLUE, what exactly do you do for an encore? In Mitchell’s case, embark upon an extraordinary run of albums – FOR THE ROSES, COURT AND SPARK and THE HISSING OF SUMMER LAWNS – which pulled her far away from her f...

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