 features a review of Leonard Cohen at London’s Wembley Arena – in this archive feature from December 2008 (Take 139) we get the inside story from Cohen’s bandmates on their extraordinary year with the singer-songwriter that even Bob Dylan calls “a real poet”){kind=link}
In this archive feature from December 2008 (Take 139), we get the inside story from Cohen’s bandmates on their extraordinary year with the singer-songwriter that even Bob Dylan calls “a real poet”. Interviews: Michael Bonner, Nick Hasted and John Lewis. Photograph: Lorca Cohen ____________...
GLASTONBURY, PILTON, ENGLAND, JUNE 29, 2008
Charley Webb: We stood there all together, and he peeked round the curtain, and said: “There’s a few people here tonight, friends…” And there were 100,000 people in front of us. I think he’s often a little nervous. Every time we walk on, he says: “Come on, friends, let’s go!” I think he feels an obligation to all of us. So he doesn’t like to show his nerves too much.
Mark Radcliffe [BBC presenter]: He was the only person at Glastonbury who refused to be televised. The excuse he gave was that the cameras interfere with his connection with the audience. Some people were thinking that was a little precious. But having seen that connection, you couldn’t argue.
Roscoe Beck: Someone called us “the world’s quietest band”, and it is the quietest band I’ve ever played in. He was concerned about whether it would work in front of 100,000 people. He’s a very humble man. It makes him want to give even more. He just wants to make sure everyone leaves with something they’ll never forget.
Charley Webb: Leonard will always choose the smallest or least comfortable seat in the room or on the plane, and he’ll always leave the nicest ones to other people. He insists on that, and if you try to change it he goes: “No, please, after you…” Total graciousness and gentlemanliness, all the time. But then surprising openness, with very amusing stories. He doesn’t make any apologies for the way he feels, and he’s not nervous to say what he thinks.
Hattie Webb: One time we were on the plane and it was incredibly bumpy, and all the people around me were very frightened. I was gripping hold of my drink and seeing my life flashing before my eyes, and I looked over at Leonard. He was completely and utterly calm, and said: “Don’t worry, darling, nothing can happen to you – it’s just the way it is.” That’s what we take from Leonard. He worries about the small things and deals with those. And with the big things, he lets nature take its course.
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THE LAST SHOW OF THE SUMMER TOUR: THE BIG CHILL FESTIVAL, LEDBURY, ENGLAND, AUGUST 3, 2008
Hattie Webb: Charley and I went into the festival a little early, and I walked backstage in a hippy festival dress, and Leonard said to me: “You’d better cover up your knees, darlin’, because there are old men in here!”
Charley Webb: I think everybody was quite happy to play that festival, but also happy that it was the last of the leg. We had been out for what seemed to be too long. Too long, certainly, for Leonard. When he was onstage you’d never have known, because he’s so professional. But offstage, he and all of us were weary.
Sharon Robinson: We were somewhat anxious to get back to our lives, and families and take care of things. It was time to go home. And so we went our separate ways. And reconvened at rehearsal.
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THE FIRST SHOW OF THE AUTUMN TOUR: ARCUL DE TRIUMF, BUCHAREST, ROMANIA, SEPTEMBER 21, 2008
Roscoe Beck: We took three or four weeks off, then we reconvened in Los Angeles again at the SIR studio for two weeks, just to brush up.
Charley Webb: The first show back was his 74th birthday. It was a good birthday. We talked the day before, as a band: “What shall we do on Leonard’s birthday?” And we agreed “nothing” was the right response. But people in Bucharest were charming and the show was punctuated with “Happy Birthday to you,” over and over. And then some people came up onstage with some enormous cakes that were heavier than Leonard, which he held for a few minutes, ’til we rescued him. He always tastes, but he never really indulges in an enormous portion.
Sharon Robinson: The set has changed a little on this leg. Leonard has added “The Partisan” to the show, and “Famous Blue Raincoat” is coming back in. There are no new songs, not yet.
Roscoe Beck: Well, he’s already got some things written. He’s played me two new songs. And there are more. I saw him writing on the plane yesterday, in his notebooks. And he’s talked to me about wanting to do a new record. But it will probably be when the touring’s done. We’ll break for Christmas, then I think we’re going to Hawaii, New Zealand, Australia and the Far East. After that will be the US and Western Canada. So there’s at least that much touring before we can start on a record. That will take us to at least October 2009 before we can even think about recording.