[tdc_zone type="tdc_content"][vc_row full_width="stretch_row_1200 td-stretch-content" tdc_css="eyJhbGwiOnsibWFyZ2luLWJvdHRvbSI6IjQwIiwicGFkZGluZy10b3AiOiIyNCIsInBhZGRpbmctYm90dG9tIjoiMTIiLCJiYWNrZ3JvdW5kLWNvbG9yIjoiI2Y5ZjlmOSIsImRpc3BsYXkiOiIifX0="][vc_column][tdb_breadcrumbs tdicon="td-icon-right" ...

Various Artists: “Kompakt Pop Ambient 2010”

Some albums prove harder to write about than others, for reasons that aren’t always easy to fathom. Others, though, seem purposely designed as hard to pin down: a case in point being Kompakt’s latest “Pop Ambient 2010” comp, which I’ve been listening to a lot for a couple of months now. How do you articulate what music sounds like that exists in such a neutral, undemonstrative space?

White Hills, “White Hills” and Carlton Melton’s “Pass It On…”

A load of pretty heavy psych’s been accumulating over the last few weeks: new albums from Major Stars (what an amazing guitarist Wayne Rogers is); from both Wooden Shjips and Ripley’s other project, Moon Duo; a cool new (to me, at least) band on No Quarter called Coconuts.

Pavement: “Quarantine The Past”

It’s a dubious business, calling any band empirically ‘great’. But perhaps one indicator of greatness might be the amount of controversy and whingeing generated when a ‘Best Of’ tracklisting is announced.
Advertisement

Editor's Picks

Advertisement

PAgeskin