[tdc_zone type="tdc_content"][vc_row full_width="stretch_row_1200 td-stretch-content" tdc_css="eyJhbGwiOnsibWFyZ2luLWJvdHRvbSI6IjQwIiwicGFkZGluZy10b3AiOiIyNCIsInBhZGRpbmctYm90dG9tIjoiMTIiLCJiYWNrZ3JvdW5kLWNvbG9yIjoiI2Y5ZjlmOSIsImRpc3BsYXkiOiIifX0="][vc_column][tdb_breadcrumbs tdicon="td-icon-right" ...

Black Twig Pickers: “Ironto Special” + Dalston Vortex, September 27, 2010

There’s something a little daunting about writing on the subject of the Black Twig Pickers: an awareness, I guess, that I’m dealing with a world of knowledge and experience that comically exceeds my own. There’s a quote on their website which reads innocuously enough: “Exciting old-time music at its finest.” But it comes from some evidently specialist publication called Bluegrass Unlimited: the Black Twigs might attract dabblers in old-time music, but they privilege, understandably, those who know what they’re talking about.

Third Eye Foundation: “The Dark”

Mentioning Forest Swords the other week, the brilliantly named Soren Lorenson posted to say how much they reminded him of Matt Elliott’s Third Eye Foundation.

The 36th Uncut Playlist Of 2010

Interesting bit of heat around the blog last week about Neil Young’s “Le Noise”, where as a result of expressing mild scepticism about Daniel Lanois’ production schtick, I learned that, “Such a lack of musical knowledge and understanding art is unforgivable.”
Advertisement

Editor's Picks

Advertisement

PAgeskin