The great TV interrogations re-enacted, with backstory

Sean Penn leads fine cast in true tale of 'Frisco killings

Jimi's classic (slight return)

Rock pastiche to perfection

Spooked, sprawling synth-pop from intrepid New Yorkers

All original members regroup for 40th anniversary

11 new songs from Bono, The Edge and co

And nope, it's not Archives which has been put back again

I happened to be at Chalk Farm tube yesterday, waiting for a train. As a bus user, I’m always curious to see what kind of ad campaigns studios are running on the underground for their current releases. At the moment, as a right-thinking film fan, you might be in a state of near-priapic delight at the wealth of prestige movies in cinemas. There’s posters up for The Wrestler, Slumdog Millionaire, The Reader, Milk and Frost/Nixon, breathlessly described with attention-grabbing quotes like “the feel-good film of the decade”, or “a contender for Best Picture”. It is, of course, January, and rather shamelessly the studios are chucking out their high-calibre movies as we pile headlong into Awards season.

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