A lively afternoon at Latitude today, where the conditions are fluctuating between blazing sunshine and torrential rain. It's oddly suitable for Andrew Bird, whose fascination with meteorology led him to call one of his old albums "Weather Systems".
Down by the lake this morning, there's a large band dressed like bad mime artists in boho pierrot gear. At ten thirty, the flute and oboe players are making bird noises at each other from opposite banks of the lake.
The Latitude Kids Area have been organising a carnival type parade this weekend, and the incredibly long and hand crafted dragon wound it's way across the site this afternoon. Led by children beating drum sticks on wheelie bins, it was quite a nice urban/country juxtapostion.
OK, so far today I've caught some fine comedy from Phill Jupitus, and been dragged by Farah towards a showgirl workshop in the Cabaret Tent. Oh, and earlier this morning I bumped into a bloke called Danny Kerwin.
Last night, we went feral in the woods. It’s not often you see your editor at a rave, and a rave in the woods at that, but last night UNCUT’s Allan Jones was getting down with the kids to all manner of dub-step and breakbeat classics. And he didn’t even mention Nick Lowe until 2.40 in the morning.
It's been a night of being proved wrong, for me at least, at Latitude. As I'm walking across the site, I can hear The Good, The Bad And The Queen, and they sound really good. I'd previously pegged them as a rather self-conscious trip into psychogeography and musicianly fandom for Damon Albarn. But here the overworked fug clears and the elegaic true quality of the songs - and those Simonon basslines, of course - comes to the fore.
Damon Albarn, being something of a native as he hails from nearby Colchester, closes tonight's set by The Good, The Bad & The Queen by displaying his intimate knowledge of the A12. It's perhaps not the most rock 'n' roll way to end a festival, but then The Good, The Bad & The Queen aren't necessarily going to play by the rules.