Hopelessly Devotoed! The compleat Magazine, remastered and with bonus tracks

Shock Horror! Southend Goths deliver remorseless no-wave debut

Clunky reportage from London's surrogate Strokes

Connor Oberst talks religion and 70s vibes as Uncut attend a special album playback

Ocean's 11 actor star to portray and possibly direct iconic jazz legend’s life

The Followill family want to show us good times

Luke Pritchard and co get ready for Summer festivals

World premiere of first new songs in ten years

It seems a long time ago now, when I thought post-rock was the most exciting music in the world. The thing with those early records by Tortoise and such was that they made anything seem possible. Post-rock was never going to supersede rock, but in the mid-'90s it still felt like a fantastically open-minded scene. The bands weren't hung up on the old signifiers of rock, they had this voracious appetite for so much music: jazz, electronica, Krautrock, endlessly obscure diversions from the well-beaten path. There were no apparent rules, which made it all the more disappointing that it became so formulaic so fast.

Walter Becker and Donald Fagen to play first UK show in years