A monumental 150-minute attempt at tracking China's cultural transition from Mao-ish uniformity to the eccentricities of Deng Xiaoping's quasi-capitalism, Platform (1990) follows four wannabe performers from Fenyang over a long and turbulent decade (1979-1989). Unlike director Jia Zhang-ke's excellent 1997 drama Xiao Wu, Platform has a bizarre disregard for character and narrative coherence.
First Jesse Malin's solo debut, now Concussion—if anything, this is an even finer record than The Fine Art Of Self Destruction. Steve Earle described Ryan as "one of the best songwriters I've seen come to Nashville", and he's no bullshitter.