As everyone knows, glam rock in the UK was begat by Bowie, Bolan and Ferry, then ruined by bandwagon-jumping brickies in mascara. Well, yes and no—some of this rubbish was great fun, as compilers Bob Stanley and Phil King hereby recognise. And while the correct response is probably to chuckle at its tackiness, some of us, behind closed doors, will be punching the air and stomping along with surreal enthusiasm.
Directed by Jimmy Page, it took a year of intensive research to assemble this five-and-a-half-hour digital re-tooling of the Zeppelin legend. Previously, the only officially-sanctioned live footage was the 1976 film The Song Remains The Same. Here, a trawl of the band's own unreleased archives combines with reclaimed bootleg material to tell the Zep story in chronological fashion, via 30 performances from four memorable concerts—the Albert Hall (1970), Madison Square Garden (1973), Earls Court (1975) and Knebworth (1979).
Occasionally ponderous 1983 thriller set in pre-Glasnost Russia (in fact filmed in Helsinki). William Hurt stars as the cop who teams up with Joanna Pacula's Soviet dissident and Lee Marvin's American businessman to investigate the mystery of three bodies found in Gorky Park.
George Stevens' Biblical epic is sometimes sluggish and often po-faced, but it's never less than fascinating. A political film-maker and a great chronicler of national identity (see Shane, Giant, A Place In The Sun), Stevens consistently swamps the New Testament in blatant Americana, letting Charlton Heston, John Wayne, and the massive crags and buttes of Utah boldly reinvent Jesus, and Israel, for the American century.