Something of a cult, this. In 1972—that year again—the Brits made a dreadful zombie movie wherein frog-worshipping biker boys commit suicide, then return, undead, to burn up motorways and terrorise old ladies like Beryl Reid outside supermarkets. Fog, satanism and skull helmets, on a budget of around nine quid. The soundtrack, however, by Kes man John Cameron, has changed hands for daft money since, and now appears on CD. It mixes wah-wah rock, choral arias and phased backwards drums for no better reason than that Cameron felt like it.
NYC rock'n'roll troupe Cat Mother had a semi-illustrious history. Formed by Stephen Stills' mate Roy Michaels (pre-Buffalo Springfield), Roy's boys packed an esoteric punch with their odd mix of old rocker standards and mandolin/violin/banjo workouts. Jimi Hendrix took a shine to them and semi-produced this disc at Electric Ladyland. They came up with a diverting set, but the Hendrix link is obviously the draw for this first-time CD reissue.
OPENS 27 JUNE, CERT 12A, 111 MINS
Put The Fast And The Furious on two wheels and you'll have this laughably po-faced tale of illegal street-racing among LA's biker fraternity. Derek Luke plays Kid, a young speed freak eager to dethrone "King of Cali" Smoke (Laurence Fishburne). To do so, he must set up his own club (the titular Biker Boyz), working his way up the racing hierarchy while keeping true to his late dad's mantra that you should "burn rubber, not your soul".
Despite Reggie Rock Bythewood's flashy direction, this dopey yarn is more Vespa than Kawasaki.
Bertrand Tavernier's epic (almost three hours) looks back at France's period of Nazi occupation from a movie-lover's perspective. A young screenwriter tries to subvert the German-controlled studios while juggling three women, and a director doubles as a Resistance fighter. It's a beautifully detailed and honest piece.
More pint-size espionage from Robert Rodriguez as Carmen and Juni tackle an island full of monsters created by mad scientist Steve Buscemi. The cute kids factor is kept on a tight rein, there are great gizmos (and gags) galore, and the blend of Bond, Dr Seuss and Ray Harryhausen is irresistible.