DVD, Blu-ray and TV

Roland Joffé's 1989 movie examines America's wartime race to develop the atomic bomb by focusing on the relationship between General Groves (a bullish Paul Newman) and haunted genius Robert Oppenheimer (Dwight Schultz), but dilutes the intensity by opening out to sketch in other players (including John Cusack and Laura Dern). Still, this is worthy, sombre, respectable drama.

Bizarre documentary atmospherically recreating strange events that took place in a small Wisconsin town in the 1890s. Economic depression and an epidemic spark off a succession of murders and suicides, and insanity is rife—most memorably in the form of the cocaine-fuelled Mary Sweeney, who travelled the whole state killing windows. Compelling.

Tori has chosen a surprisingly conventional in-concert format for her first-ever DVD. Recorded in Florida last year, it's an intense performance, the songs drawn mostly from her recent Scarlet's Walk album, augmented by old favourites such as "Cornflake Girl" and "Professional Widow".

David Fincher's homage to Hitchcock (the North By Northwest title sequence, Howard Shore's score, the Rope/Vertigo-like apartment-as-stage conceit) finds Jodie Foster as the beleaguered mum trying to stay one step ahead of Forest Whitaker, Dwight Yoakam and Jared Leto's housebreakers

The idea of Ralph Fiennes' sibling shooting a doc about God and guns in South Central LA is inherently tiresome. But, in fact, Sophie F manages to get inside the soul of this torn community. Grace Jones' pastor brother Noel is as fake as any pulpit rhetorician, but his Hoover Street church is a revival of hope.

Shot at Brixton Academy at the end of Moloko's 2003 tour, this is a limp wander through the band's hits which even Roisin Murphy can't lift. There's none of the inter-band tension that a year on the road might have generated, and they even manage to mangle "Sing It Back". For devotees only.

Mel Brooks' 1974 spoof western isn't a patch on The Producers or Young Frankenstein, due to a lacklustre script. What memorable moments there are come courtesy of Cleavon Little's hip black sheriff, Gene Wilder's alcoholic gunfighter, Madeline Kahn's faultless Marlene Dietrich impression and Slim Pickens busting up that infamous campfire farting scene.

In Arthur Penn's 1958 film The Left-Handed Gun, Billy The Kid (Paul Newman) was portrayed as a neurotic, self-destructive teen rebel who behaved like James Dean with a six-gun. Penn threw in the framing device of having a journalist follow Billy through his career of crime. Little Big Man (1970) also features a journalist looking to embroider the facts, but this time the writer meets his match in the shape of the wizened, 121-year-old Jack Crabb (Dustin Hoffman hidden behind several layers of make-up).

Sadly not long-lost footage from the '60s but film from a brace of reunion gigs in the mid-'90s by the rediscovered pop-art cult heroes. There's lots of playing the guitar with a violin bow (something the band's Eddie Phillips invented way before Jimmy Page). But the transformation from razor-sharp teenage mods to middle-aged beer bellies is cruel on the eye.

John Singleton's explosive debut lifted the lid on South Central LA in the early '90s, and was arguably as influential as the burgeoning wave of hip hop of the same period in bringing black urban culture to a wider audience. It's characterised by Singleton's unflinching storytelling, plus a career-best performance from Cuba Gooding Jr.