DVD, Blu-ray and TV

There's little original Dylan footage and no music in this unofficial bio co-produced by the fanzine Isis. But what we do get is a series of fascinating new interviews—with old school friends and teachers in Hibbing who describe a loner who gave little hint of the extraordinary gifts he was later to develop, early colleagues who played with him in Greenwich Village and leading Dylanologists such as Clinton Heylin and CP Lee. NIGEL WILLIAMSON

Mixed bag of Marlon, including classics The Wild One and On The Waterfront

Generic potboiler, and another easy rent cheque for De Niro. When Greg Kinnear and Rebecca Romijn-Stamos'young son is killed, he's the bulging-eyed scientist who says he can clone him back to life. All seems rosy, till the brat gets severely Damian (and then some) on their asses. Topical commentary on genetic engineering or The Omen Part 93? The latter, sadly.

NYC nu-punk trio live and loud, with bonus Spike Jonze documentary

Sadly not the classic'30s capers starring Warner Oland as the philosophical Chinese detective but those of his replacement Sidney Toler after the Chan franchise had been sold off to the poverty-stricken studios of Monogram. Of the six films here, 1944's mildly diverting chess murder mystery The Chinese Cat is the best of an admittedly ropey bunch, which also includes Meeting At Midnight and The Jade Mask.

FEW ARTISTS IN ANY MEDIUM?Bowie, maybe, or Scorsese?enjoyed such a terrific'70s as Woody Allen. This box comprises every comedy that Allen wrote, directed and starred in from 1971-'79?save 1972's Play It Again, Sam and 1978's psychodrama Interiors, neither of which are included here. Bananas was his second auteurist venture (1969's Take The Money And Run being the first) and saw him fusing the wisecracks of Bob Hope and slapstick of Buster Keaton to create this immortal nebbish New Yorker who bears as much relation to the real Allen Konigsberg as does Dylan to Robert Zimmerman.

Carol Clerk, who covered Live Aid for Melody Maker, on the newly released DVD of the global rock spectacular

One of the most original debuts of the past 20 years, Richard Kelly's mesmerising head trip from '2001 gets an extra 20 minutes and some soundtrack tweaks. The extra scenes slow the narrative momentum, but Jake Gyllenhaal's breakthrough role as disturbed teenager Donnie still captivates, while Kelly's astute meditations on life, death and mental illness in '80s small-town America demand your attention.

Leaving aside for a moment the issue of whether an unshown TV special from '68 could capture, as the opening credits suggest, "the spontaneity, aspirations and communal spirit of an entire era" any more accurately than, say, Catweazle or Do Not Adjust Your Set, and regardless of whether you think Beggars Banquet and Let It Bleed are the fulcrum points of a generation or just something that music critics of a certain age should learn to get over, the portents of this cryogenically preserved moment in rock time are undeniable. Look!

112 minutes of Robert Altman's floaty, wispy ambient eavesdropping in the company of Chicago's Joffrey Ballet, with producer/star Neve Campbell drifting into dance numbers, performing a few grands jetes, drifting out again, snogging non-dancing co-star James Franco, then it's back to the real troupe, dancing, rehearsing, then dancing again. A test for even the most ardent Altman fan.