Jane Campion's second film (1990) tells the life story of Janet Frame, a New Zealand author who overcame poverty, chronic shyness and (misdiagnosed) schizophrenia to achieve international acclaim. Kerry Fox stars, while Campion hones her own stylistic match of trippy fantasy and gauche intimacy. Earnest, with detours into the ethereal. DVD EXTRAS: Three interviews with Campion, filmographies, trailer, biography of Janet Frame.

Why 511? Because, on June 2, 2002, New Order performed in front of 10,000 rain-lashed revellers at Finsbury Park, and their 16-song set list comprised five Joy Division tracks and 11 by the band they became following the suicide of Ian Curtis.

Leaving aside the Paul Williams soundtrack and Jodie Foster's performance (which aren't bad), Alan Parker's 1930s kiddie gangster musical, which dates back to 1976, combines a dozen bad things, including clunky dialogue, child actors, obvious sets and dull direction. Kids would probably find it patronising, and to the rest of us it falls somewhere between cloyingly cute and downright dodgy. DVD EXTRAS: Trailers, storyboards, trivia, character notes, photo gallery.

The ultimate journeyman, Kevin Reynolds is back with his explosively soulless adaptation of Dumas' classic. Formerly solid character stars Guy Pearce and Jim Caviezel don Hobbit haircuts and bored expressions as the socially mismatched childhood friends torn apart by jealousy and betrayal. It's clunky and mechanical, and lacking in even the faintest directorial fingerprint, yet it bounces you safely to the finish. DVD EXTRAS: Making Of..., audio commentary, deleted scenes, sword-fight choreography documentary and sound design featurette.

Set in and around a half-built rubble-strewn suburb of nowhere Vienna, pounded by summer sunstroke, and featuring brutal scenes of rape and battery, Dog Days is a bracing blast of arthouse nihilism from Austrian auteur Ulrich Seidl. And like a bleak psychotropic Short Cuts, the success of this multi-character piece depends on how the viewer responds to Seidl's remarkable yet savagely pessimistic world view.

Sandra Bullock got little credit for branching out as a gum-chewing, neurotic hardcase in this clever Barbet Schroeder cop thriller. Two Dostoyevsky students commit the perfect murder as an intellectual challenge; it's up to boozy Bullock and sidekick Ben Chaplin to rattle their smugness. Schroeder ensures it has a dark heart.

Oliver Stone's typically overwrought biopic of Jim Morrison has been much-mocked down the years, perhaps unfairly. It's full of Stone's signature bombast and is characteristically laden with all manner of wild and windy symbolism, but it has rather more going for it than popular reputation usually allows—not least, a surprisingly good performance from Val Kilmer as The Lizard King himself, fantastic duplication of vintage concert footage, especially the re-staging of the infamous Miami bust, and the patently deranged Crispin Glover as Andy Warhol to fucking boot!

Comedy terrorist Chris Morris writes and directs this extended riff on what could have been one of his more unsettling TV sketches—think Kafka remixed by Chris Cunningham. Paddy Considine, a talking dog, a demonic baby and a nerve-jangling soundtrack blur the line between black humour and abstract art. More please. DVD EXTRAS: Runner's commentary, alternative 5.1 mix, original radio monologue, dog animation, remix of the film by Cartel. (SD)

Initially promising black comedy, acidly penned by Dan (Dead Man's Curve) Rosen, which follows a group of student types as their campaign for political correctness moves from right-on moaning to casually poisoning anyone whose views don't dovetail with their own. Even an early Cameron Diaz performance can't stop it losing momentum late on. DVD EXTRAS: None. (CR)

Savage Hollywood satire from 1950 retains its bleak, sardonic edge