Usual Suspects writer Christopher McQuarrie makes his directorial debut with this hip crime caper, with Ryan Phillippe and Benicio Del Toro as two petty criminals who kidnap Juliette Lewis, a pregnant surrogate mother, unaware that the baby she's carrying belongs to mob boss Scott Wilson. Needless to say, the bullets barely stop flying in this slick, violent thriller.

Tim Robbins is Jacob, a Vietnam Vet trying to adjust to civilian life in New York but suffering from horrific, nightmarish visions. The after-effects of a military drug experiment, or something more sinister and supernatural? Even if Adrian Lyne's film makes a lot of confused choices, it's still an interesting—and genuinely scary—ride.

Enduringly popular epic, directed with vigorous panache by Richard Fleischer. Kirk Douglas and Tony Curtis are terrific as the feuding half-brothers, sons of hugely-bearded Viking warlord Ernest Borgnine, and there's an admirable amount of rowdy quaffing, hearty pillaging and general mayhem.

The sequel to Robert Rodriguez's maniacally good Spy Kids, with budding-Bonds Alexa Vega and Daryl Sabara up against a rival team of adolescent agents and the monsters of mad scientist Steve Buscemi's fantasy island. Suggesting a Ray Harryhausen movie invaded by the screwball surrealism of a Looney Tunes cartoon, it ups the first film's formula of candy-coloured cool stuff for kids and in-jokes for grown-ups. Quite fantastic.

Glam's loveable Black Country bovver boyz expose the grim realities of the rock'n'roll lifestyle

Set at the death of the samurai age, Japanese master Nagisa Oshima's first feature in 13 years charts the disruption of a militia barracks by the arrival of Ryuhei Matsuda's androgynously beautiful young swordsman. A partial return to the erotic obsession of In The Realm Of The Senses, it's a bleak but mesmerically beautiful movie where realism balances with dreamy stylisation.

The clinically style-obsessed Tony Scott might not have been everybody's choice to helm a Tarantino script just as St Quentin was white-hot (seems a while ago now, huh?), but he made a splendid 1993 pulpy pot-boiler which, in sum, outshines its pithy but disjointed parts. Christian Slater and Patricia Arquette are the doomed Detroit lovers-on-the-run with a suitcase of coke, negotiating baroque badlands after Slater kills sleazoid pimp Gary Oldman and his comedy dreadlocks. Everyone who's anyone turns up to harass the couple and their sad dad Dennis Hopper.

A Bosnian and a Serb share a trench in this Oscar-winning anti-war film which uses farce and satire to convey its message. The director's an experienced documentary maker; there's truth in his portrayal of an absurd conflict. Sadly the late, great British actress Katrin Cartlidge, ever one to support worthy causes, is miscast as an egocentric reporter.

By the early-to-mid '80s, Nico was holed up in Manchester on the comeback trail junkie habit in tow. A live performance at the Library Theatre, Heroine is a funereal study of stark cool, drawing on The Velvet Underground—"All Tomorrow's Parties", "Femme Fatale"—alongside rather less celebrated fare from Camera Obscura (1985) and Drama Of Exile (1981). The inferior An Underground Experience places her in a nameless club—haunted, drawn and distant.

Belgian director Frank Van Passel's handsome Euro-pudding adaptation of a novel by Flemish writer Willem Elsschot evokes bohemian, early 20th-century Paris with sepia-toned style—think Moulin Rouge meets Delicatessen. Sadly, a fine ensemble cast (including Julie Delpy, Shirley Henderson, Timothy West) are wasted on a routine, soapy plot about class, manners, infidelity and looming war. DVD EXTRAS: Trailers and scene selection.