Philip Kaufman's letter-perfect realisation of Milan Kundera's student classic describes the spiritual transformation of Czech doctor Tomas (Daniel Day-Lewis, mercifully playing a 'real person') from pseudo-existentialist to moral being thanks to the loving idealism of waitress-turned-photographer Tereza (Juliette Binoche). Along the way there's a Russian invasion, an escape to Geneva, and plenty of sex with Lena Olin in a bowler hat.

Hip and hunky priest Gene Hackman leads a motley gang of passengers through many a watery danger when a freak wave flips their passenger liner upside down. Classic disaster movie stuff, with the added bonus of a sweaty and thoroughly miffed Ernest Borgnine.

The Nanny and The Blue Lamp? Just what these two anomalies are doing sandwiched together on DVD is anyone's guess. The former is a campy 1965 Hammer chiller about a bonkers nanny, played by Bette Davis in familiar kabuki make-up. The latter is a breathtakingly obsequious 1950 Ealing Studios tribute to the Metropolitan Police Force, which introduced the world to Dixon Of Dock Green.

Enjoyable coming-of-age saga from Joe Dante, set against the backdrop of the 1962 Cuban missile crisis. Huckster movie director Lawrence Woolsey (John Goodman) arrives in a small Florida town to promote his latest gimmick-laden monster flick. Goodman's great as Woolsey (obviously based on William Castle), and Dante successfully evokes the era without being overly nostalgic.

Wes Craven directed this fairly faithful adaptation of DC's horror comic muck monster: a scientist caught in a chemical explosion in a Louisiana swamp gets transformed into a vegetable superbeing. Sadly, the script's clunky and the make-up SFX are tatty beyond belief—notably, the rubber suit that makes ol' Swampy look like a giant walking turd. Result; a travesty.

Reworked by Claude Chabrol after the death of screenwriter Henri-Georges Clouzot (The Wages Of Fear, Diabolique), L'Enfer sees poor François Cluzet suspect pretty wife Emmanuelle Béart of infidelity then gradually lose it as paranoia and doubt undermine his entire existence. Beautiful, but painful to watch.

Part of a triple DVD pack, this contains footage of German TV show Beat Club, a legendary showcase for the best bands of the era. Its late-'60s archive is now a valuable resource for DVD compilers. Like a visual companion to Uncut's Acid Daze CD given away two issues ago, Psychedelic High features Donovan, Arthur Brown, the Small Faces and The Nice all overlapping with that collection. The Who and The Moody Blues also attend what is mostly a very English psychedelic tea party, although The Byrds, Blue Cheer and Canned Heat fly the American freak flag.

Offbeat Elmore Leonard yarn brought to the big screen by Paul Schrader. Juvenal (Skeet Ulrich) is a stigmatic ex-monk with miraculous healing powers, Tom Arnold is the religious fanatic obsessed with him, Bridget Fonda the nice girl who loves him, Christopher Walken the hustler who wants to exploit him. Nicely satirical about the modern media circus.

The L-Shaped Room is a stagy 1962 adaptation of a Lynne Reid Banks novel about pregnant French socialite Leslie Caron in a London bedsit, and is famous only to Smiths obsessives due to it being the source of the opening sample from The Queen Is Dead. John Schlesinger's 1965 Darling is a key text from the Swinging London canon, breezily and brilliantly skewering vacuous underwear model Diana Scott (Julie Christie) as she seduces her way into wealthy despair.

Inspired by a Bowie gig, Trilogy sees The Cure perform three of their LPs in full over two nights at Berlin's Tempodrom—the classics Pornography and Disintegration plus the more recent Bloodflowers. With the band, as usual, brilliantly lit and the event shot with 12 separate cameras, this is far superior to normal live fare. The music, too, benefits from perhaps the band's strongest line-up. Pornography, originally performed by a trio, here becomes a maudlin monolith, with the ageless Smith somehow reinfused with a bitterness now 20 years old. Thrilling.