The Blades Of Grass
ARE NOT FOR SMOKING
REV-OLA
West Coast ex-folksters The Sunshine Company just missed stardom when their version of newcomer Jimmy Webb's "Up, Up And Away" was beaten into the charts by the Fifth Dimension's in 1967.
He helped Audrey Tautou steal your heart in Amélie, and Tiersen, like that film, evokes the passing of French iconographies (Pernod, madeleines, poujadisme) and the culture's quiet assimilation of change, with or without accordions. The slyly sentimental, Nyman-leaning postmodernism of "A Quai" and "Bagatelle" absorbs genres from Rai to post-rock but remains uniquely French. Zazou and Eno, watch your arses.