Both Jim Krewson and Jennie Benford were raised in tradition-steeped communities (in Pennsylvania and Vermont respectively), rebelling into punk before reconnecting with roots years later. Their third album smudges the boundaries of bluegrass and old-time (fixin' a party between Scruggs-style, three-finger banjo and orthodox clawhammer) to strike a picture of high'n' lonesome authenticity. Aided by the Pinetops' propulsively rhythmic playing, the marriage of Benford's clear mountain preen and Krewson's hickory yelp is life-enhancing.
Marden Hill
CADAQUEZ
Various Artists
THE COOL MIKADO
ALL ÉL
In the '80s, Mike Alway's él records were a beacon of intelligent perversity, elegantly absurd and non-commercial.
Subtle, simmering 'new acoustic' debutThese gentle, vaguely retro acoustic stylings from British songwriting duo Hudson and McDevitt exude real charm, evoking melancholy memories, tempered optimism and warm pints in cold country pubs. Reference points include a less tortured Turin Brakes or less populist David Gray, though ticking clocks, babies' cries and the mesmerising "For You" will have you digging out your crusty copy of Floyd's Wish You Were Here. Bursts of energetic violin from Chris Goddard give it an extra edge. Pastoral peaks.