Album

Laptop's third album is a synthetic joy from beginning to end. Continuing in the arch electropop vein of Opening Credits and The Old Me Vs The New You, Jesse Hartman's latest illustrates his ability to transcend simple '80s pastiche armed with a world-weary baritone and a clutch of untouchably sexy tunes. With deadpan voiceover and deluded romanticism, the Oakey-cokey melodrama of "Let Yourself Go" is both funny and moving, while "Back In The Picture" and "Testimonial #6" display lurching, Bowie-esque brilliance.

Hotly-anticipated second album from New York's finest

When '80s Northern boys hooked up with a pair of disco and hip hop gods

Euros Childs'perennial square pegs get back into meadow groove

Third and best from Paris-based Swedes

Previously unreleased Zappa album exclusively available in new surround sound format

Featuring the first new material from former My Bloody Valentine fulcrum Kevin Shields in 12 years, this is a bit special. Air's soundtrack to Sofia Coppola's 1999 directorial debut The Virgin Suicides proved to be one of the most durable of recent years (and it's been simultaneously reissued by the same label), and this—for her new film—comfortably matches that for understated, dreamy grandeur.

Fond farewell from first lady of country

In 1980 Diana Ross, Motown and Chic all needed each other. With Rick James' breakthrough still a year away, Motown were forced to hire their biggest competitors to provide Hitsville with some hits. In turn, Diana was the last of the original sequence of classic Chic albums, the real follow-up to Chic's 1979 milestone Risqué. Disc one includes the original "Chic mix" of the album (essentially demos, with slightly gutsier vocals) as well as the familiar one. We are reminded just how skilfully "Upside Down" orbits around its absent centre.

Artsy, twee, quietly mad label presents three collections of rarities