We seem to be posting a lot more lists than actual joined-up writing at the moment – Michael’s just put Uncut’s full Top 75 of 2012 on the website, with links, and is promising our Archive/Reissues chart tomorrow – but, hey, here’s another. Among some other good new arrivals, another strong recommendation for Parquet Courts: check them out here.
One of those rushed weeks, I’m afraid – it looks like I won’t be able to construct a Wild Mercury Sound 2012 chart ‘til next week now, if you can bear the agonising wait. Lots of links and clips to be getting on with here, though: please make sure you have a listen to the new Sun Kil Moon and Plush tracks, and check the clip that Neil Young scholars are claiming shows the first time he’s collapsed onto the floor and wiggled his legs in the air mid-solo.
Sometime in the summer of 2011, I spent a pretty amazing Saturday morning at a small recording studio in Green Lanes, North London. When I walked in, a hesitant but beautiful piano line was coming through the speakers, and one of the most emotionally compelling voices I’ve encountered in the past few years was singing a song which, it transpired, would be called “Never Ending Happening”.
The new issue of Uncut should be with subscribers imminently, and in UK shops on Friday. Of some interest, I suspect, will be our Top 75 new albums of 2012 rundown; feel free to talk to me here about that when you’ve had a look (or before, if you like).
Just finishing the Ultimate Music Guide on The Kinks while listening to Gurdjieff’s harmonium improvisations from 1949. There are, though, a bunch of interesting newer things here as well. Have a listen to the new Mark Kozelek song, for a start (he played a really compelling gig in London last Friday, incidentally, which I haven’t had a chance to write about).
Quite tempting yesterday to play nothing but “Signed Sealed Delivered I’m Yours”, but here’s this week’s playlist, with quite a few new clips (Broadcast, Jessica Pratt, Hiss, Ty!), links and new entries.
Most important things first: apparently www.neilyoung.com will be streaming the whole of “Psychedelic Pill” today. Once you’ve had a listen, let me know what you think.
A couple of weeks ago, I read an interview with Scott Litt about working on “Tempest”, in which he mentioned how Dylan’s voice now reminded him, positively, of Louis Armstrong. Dylan, Litt suggested, should have a go at “Hello Dolly” sometime (The full piece is stuck behind the paywall at http://www.newyorker.com/, unfortunately).