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Features

An audience with David Crosby: “I made so many mistakes that I can’t claim to be wise!”

As For Free caps a remarkable renaissance, Croz answers questions from the Uncut audience: he recalls jamming with Hendrix, being “stupefied” by The Beatles… and the making of High Noon

Introducing the Ultimate Music Guide to Van Morrison

In-depth writing on (and revealing interviews from) all eras of Van’s work: from Them, to Latest Record Project, via Astral Weeks, Moondance and Common One

Famous fans revisit Revolver at 55: “I believed it was everybody’s favourite Beatles record”

Fifty-five years after Revolver, we've assembled a crack team of Beatles heads – Johnny Marr, Brian Wilson, Wayne Coyne, Dhany Harrison and Sean Ono Lennon among them – to explore their favourite tracks from the Fabs’ finest body of work

Tape loops, drones and The Tibetan Book Of The Dead: Inside The Beatles’ Revolver sessions at EMI Studios

It's April 6, 1966. We're in EMI Studios on Abbey Road, where tape loops, drones and mystical incantations derived from The Tibetan Book Of The Dead herald this next revolutionary phase in The Beatles’ career

Remembering Curtis Mayfield’s indomitable ’70s period: “He was a poet and a prophet”

Curtis Mayfield covered a vast amount of ground during the ’60s with The Impressions, but as a solo artist he went into overdrive. Bandmates and family tell us about the soul superstar’s creative peak in the early ’70s
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