SHEPHERD'S BUSH EMPIRE, LONDON

Kevin Rowland's legendary rabble-rousers make a triumphant live return

She walks on stage looking pale and enervated, like a ghostly image of heroin chic. Just what have they done to Thea Gilmore? Then two songs in she reveals she's "got the lurgy, big time". It turns out she's been taking nothing stronger than herbal tea to keep the flu at bay.

Photos of morris dancers adorn this home of the English Folk Dance & Song Society, and the atmosphere is pin-drop reverent as the Prince's legions gather. Floorboards creak, glasses clink, and someone actually tiptoes. No wonder Will Oldham's first act is to wince, then hurl us into his world of gore, spunk, death and cunnilingus. The mountain man who tore up British stages last time round has been replaced tonight by a straight-backed loner in the smart-casual dress of the conscientious worker.

Wayne holds court in front of the Lips' biggest non-festival audience to date

His Bobness kicks up a storm among the seven hills and proves he's still armed to the teeth

From art-damaged garage to cosmic avant jitterfunk; a box set containing 54 tracks and 13 videos charts the weird musical journey that took Talking Heads from CBGB's to MTV

There are few bands, it seems, as disaster-prone as Shack. Ravaged by narcotics, crippled by debt (the sleevenotes to their third album HMS Fable infamously thanked Cash Converters) and nearly torpedoed by missing master tapes and missed opportunities, this Liverpool outfit clearly monopolise the anti-Midas touch. Matters were not helped three years ago when London Records pulled the contractual plug as well.

Lux, Ivy & co put on the most insane show Uncut has ever seen

The Addiction plug straight back into the main vein