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Features

Americana Beauties

American Music Club/Richmond Fontaine QUEEN ELIZABETH HALL LONDON Sunday May 23, 2004 Richmond Fontaine take to the stage looking like they've walked out of Bob Rafelson's Five Easy Pieces.

That Old Black Magic

The Boston grunge-pop godheads make the most significant rock comeback in a decade

Calexico – The Bridgewater Hall, Manchester

As a prelude to tonight's particularly goosefleshy rendition of "Not Even Stevie Nicks...", Calexico frontman Joey Burns gets to tell his Glen Campbell story. "Scottsdale, Arizona, is a very strange place," he begins. "We have friends who've been to his house there. As you enter the driveway, electric bells start playing 'Rhinestone Cowboy', then barking dogs drown out the chorus." Burns stops fingering the chords of the buckskin balladeer's biggest hit and pauses, senses a certain bafflement in the audience.

Flaming Groovy

The Pixies and The Cure turn up the desert heat at the fifth Coachella Festival

The Wizard Of Odd

His Runtness tours the States and once again surprises and confounds

The virtual electronic museum that is Kraftwerk bring their Man-Machine to London

Patti Smith – ULU, London

The greatest living rock performer? It's hard to think of any of her peers who've managed to keep their live shows both physically thrilling and smart. Or of any rising combo who wouldn't pale beside her. When other legends (say, Lou Reed) recite poetry mid-set, it's embarrassing and hubristic. When Patti does it, it's as electric as the best guitar riff. Others spout ideological platitudes, Patti makes you volunteer to assassinate Bush right now.

Magic Bus Pass

The 'Orrible 'Oo back in action with patchy but promising opener for a week-long series of Teenage Cancer Trust benefit concerts

Blondie

Only 40 minutes of old BBC footage but still an exhilarating glimpse of Blondie live in '79, as their commercial peak kicked in. Filmed at Glasgow's Apollo Theatre, it climaxes with a bagpipe quartet screeching through "SundayGirl". It's the band's raw energy, and La Harry's endearingly awkward presence, which radiate through "Atomic", "Union City Blue" et al. Novices should then graduate to the Eat To The Beat-era videos: a pinnacle for punk and pop.

Smile High Club

Heaven-sent innovation from the legendary Beach Boy, plus supporting cast
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