The current issue of Uncut comes with a rather spiffing free 52-page magazine that hosts our essential guide to the best new albums, reissues, box sets, films, DVDs and books of 2013. This year we’ve expanded our new album section to a Top 80, as voted for by the Uncut staff and nigh on 50 of our regular contributors.

OK, I’ve managed to remember 143 albums that came out this year and that I liked. As in previous years, I didn’t see much point in hacking my list down to a Top 100, or Top 50, or whatever. While it’d be a stretch to claim every one is an imperishable classic, I do feel broadly confident recommending them all.

As you may have seen, this week’s NME features the 2013 edition of their 500 Greatest Albums Of All Time. For this one, they also accepted votes from a bunch of the mag’s alumni, including me, so I thought it’d be an easy, albeit self-indulgent, blog to reproduce my Top 50 albums here.

I don’t know about you, but I’m still reeling from final episodes of Top Of The Lake and Southcliffe on television over the weekend. Both, I suppose, had a loose thematic link - they were studies of tragedy in small communities - and I think in the end I preferred Southcliffe’s open-endedness to Top Of The Lake’s flurry of final act revelations; but that said, they were both brilliant TV, easily among the best things I've seen this year.

First of all this week, let me quickly plug our most recent Ultimate Music Guide, which is dedicated to Depeche Mode. As with previous specials in the Ultimate Music Guide series on David Bowie, the Stones, Bruce Springsteen, Led Zeppelin, Pink Floyd, The Beatles, John Lennon, Paul Weller, The Clash, Nick Cave, The Kinks, U2, REM and The Smiths – all of which you can order online at www.uncut.co.uk/store or order digitally at www.uncut.co.uk/download – Depeche Mode – The Ultimate Music Guide features brand new reviews of all Depeche’s albums, written by a stellar team of Uncut scribes, plus a ton of vintage interviews from the archives of Melody Maker and NME, reprinted for the first time in years and covering the whole of the band’s career from their first stirrings in deepest Basildon in the early 80s. Depeche Mode – The Ultimate Music Guide is on sale now.

You find us at that time in the month when things start getting more than a wee bit hectic, deadlines fast approaching as we head into the final week or so of work on the new issue, for which I am reviewing Roy Harper’s Man & Myth, his first album of new material since The Green Man, 13 years ago. There’s also the small matter of next month’s cover story, which I’m also writing, which means it’s all go at the moment.

Bob Dylan’s on the cover of the new Uncut, which goes on sale tomorrow, July 31. The occasion? The release of The Bootleg Series, Volume 10 – Another Self Portrait (1969 – 1971) a typically fascinating glimpse behind the curtain of the Nashville Skyline, Self Portrait and New Morning sessions.

One of the projects we have just finished working on for the next issue of Uncut, on sale next week, was a special promotional feature we have produced in association with hmv, which is newly returned to robust high street health after recent rough times.

Taking my cue from John's round-up of the best albums of 2013 so far, I thought I'd compile a similar list of the best films released between the start of January and the end of June this year.

Around this time in 2012, I came up with 40 records, released between January and June, that I liked enough to include in a six-month Best-Of list. Either I’m being more diligent, or less discerning, or else 2013 is shaping up to be a better year: as you can see, I’ve managed 67 here.