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Interviews

Sufjan Stevens – a Christmas Q&A

Sufjan Stevens' new Christmas compilation, Silver & Gold: Songs For Christmas, Vols. 6-10, is out now, and reviewed in the new issue of Uncut, dated January 2013. Graeme Thomson tackles the mammoth album in the reviews section of the new issue, in shops now, and also interviews Stevens about the project – a short excerpt can be found in the issue, but below is the pair's full conversation… ______________________________

Brian Wilson – Album By Album

The reunited Beach Boys' new concert DVD is reviewed in the latest issue of Uncut (dated January 2013, out now) – so it seemed like a good time to revisit this fascinating piece from our October 2006 issue (Take 113). We were talking to Wilson, primarily, to discuss the 40th anniversary of Pet Sounds, reissued in deluxe format that month. But Wilson agreed to revisit five other pivotal Beach Boys albums, too. “If you’re a young guy or girl going out and buying Pet Sounds for the first time, you’re gonna be knocked out when you hear it, right?” Words: Rob Hughes

Paul Weller: “Success does strange things to people”

The deluxe reissue of The Jam’s final album, The Gift, is reviewed in the new issue of Uncut (December 2012, Take 187) – so for this week’s archive feature, we’ve stepped back to Uncut’s December 2008 (Take 139) issue, to spend a year by Paul Weller’s side, as he celebrates his 50th birthday. We are invited into the Guv’nor’s inner sanctum, to his star-studded birthday party, and into dressing rooms across Britain and America. And we learn that, like any good mod, Weller remains “more interested in the future than the past”. Words: Paul Moody _____________________

Interview: Crossfire Hurricane director Brett Morgen

As part of our current Rolling Stones cover story, I interviewed director Brett Morgen about his Stones' film, Crossfire Hurricane.

The Rolling Stones: “We ain’t acting”

The Stones’ new compilation, GRRR!, is reviewed in the new issue of Uncut (December 2012, Take 187), out now, so for this week’s archive feature we head back to Uncut’s April 2008 issue (Take 131). Mick Jagger is micro-managing the release of their new, Scorsese-directed concert movie, Shine A Light. Keith Richards is lounging on a Caribbean beach with his dogs. They both find time, however, to tell Uncut about pet hygiene, “fucking crap” modern music and having rebellion thrust upon them. Words: Andrew Mueller ________________________

Brian Eno – the doctor will see you now

Eno’s sublime new album, Lux, is reviewed in the current issue of Uncut (December 2012, Take 187) – so we’re delving back to December 2010’s issue to meet the time-travelling conceptualist himself, a man who’s into ecstatic food cults, Music For Maternity Wards – and trying to remember his own past. “One of the big driving forces for Roxy Music,” he says, “was that we hated hippies…” Words: Stephen Troussé _______________________

Peter Gabriel: “You could feel the horror…”

The current issue of Uncut features a review of the lavish reissue of Peter Gabriel’s groundbreaking So album – to accompany that, it seemed like a perfect time to republish this great interview with the man himself, from Uncut’s July 2007 issue (Take 122). Gabriel joins Uncut for a look at his glorious career, and at those remarkable costumes… “You could feel the horror,” he remembers. “I thought, ‘Oh, this is exciting!’” Words: David Cavanagh ____________________

Squeeze Down Under

Did you see that terrific BBC4 Squeeze documentary, Take Me I’m Yours, on Friday night? I was more than a little taken aback by the currently be-whiskered Glenn Tilbrook, but I’m sure there’s a plausible explanation for wanting to look like that and otherwise the programme was a timely reminder of the many great songs he and Chris Difford have written over the years. It also put me in mind of an eventful few days I spent with the band in 1980, when they were rather unhappily touring Australia, where I caught up with them in inhospitable Brisbane before we headed for the sunny beaches of Surfer’s Paradise. Here’s a piece I wrote for my old Stop Me If You’ve Heard This One Before column in Uncut.
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