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Interviews

Inside Sly Stone’s There’s A Riot Goin’ On: “Fame attracts wonderful people, but it also attracts guns and dogs”

Dealers, guns and pimps: dark clouds hover over the creation of There's A Riot Goin' On

Lambchop’s Kurt Wagner: “I try not to think a lot about past work”

The pandemic has brought back into focus the qualities that inspired Kurt Wagner to make music in the first place. But as a new album ushers in yet another new era for Lambchop, there’s no danger of him dwelling on his many former glories

Tracey Thorn: “Global superstardom? It’s tiring”

The Everything But The Girl star turned rock memoirist on lightbulb moments, “fuck-off hits” and being Aretha for a day

Jackson Browne: “I’ve always been connected with people who are trying to make things better”

Jackson Browne has always written songs about love, hope and defiance – but with his new album Downhill From Everywhere these themes have taken on a bold, new urgency

Liz Phair: “I’ve had to pick myself up from being dead many times”

After an 11-year absence, Liz Phair has returned to reclaim her title of fearless songwriting superstar. But how has a song about Lou Reed, a country-rap crossover hit and her own trailblazing debut helped prepare her to re-enter the fray?

Bobby Gillespie: “Where does this rage come from, this suspicious nature, this anger, this cynicism?”

Primal Scream’s inveterate rabble-rouser is doing some soul-searching – but where is it taking him?

Klaus Voormann on George Harrison: “The Quiet One? He wasn’t quiet at all…”

In the latest issue of Uncut, George Harrison's former friend, flatmate and collaborator remembers a "cocky little boy" of 17

Stephen Stills on CSNY: “We were all quite full of ourselves”

Déjà Vu revisited and more

How Bob Dylan made Blood On The Tracks

The inside story of a masterpiece

Can’s Irmin Schmidt: “We were too undisciplined for festivals!”

Charting the German band's wild live adventures in the new issue of Uncut
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It is 1969 and Sly Stone is on the brink of superstardom. Ensconced in his Bel Air mansion, he has begun work on a new album. But surrounded by dealers, groupies and gangsters, it takes over two years to finish the record – during with time the life-affirming utopianism of his music is replaced by...

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