[tdc_zone type="tdc_content" tdc_css="eyJhbGwiOnsiZGlzcGxheSI6IiJ9fQ=="][vc_row tdc_css="eyJhbGwiOnsibWFyZ2luLWJvdHRvbSI6IjQwIiwicGFkZGluZy10b3AiOiIyNCIsInBhZGRpbmctYm90dG9tIjoiMTIiLCJiYWNrZ3JvdW5kLWNvbG9yIjoiI2Y5ZjlmOSIsImRpc3BsYXkiOiIifSwicG9ydHJhaXQiOnsiZGlzcGxheSI6IiJ9LCJwb3J0cmFpdF9tYXhfd2lkdGg...

Interviews

Johnny Marr: “Nothing feels new to me”

Nearly four decades on from The Smiths’ debut single, Johnny Marr has made the most ambitious album of his career. He tells us more about Fever Dreams Pts 1–4

The making of The Damned’s “Neat Neat Neat”

A raw, supercharged blast of punked-up garage rock, recorded live in a tiny studio: “It’s a short, sharp shock on record!” says Captain Sensible

Michael Hurley: “I say ‘perfect’ is boring”

With the release of his new album, The Time Of The Foxgloves, Michael Hurley leads Uncut through his wild and idiosyncratic career – from Greenwich Village in the ’60s onwards

Elvis Costello: “My conscience is clear!”

Elvis Costello has a brilliant new album to talk about, but as Michael Bonner soon discovers, his candour covers all bases. To be discussed: climate crisis, genre exercises, distorted truths, imaginary friends and the joys of beating up Sting. Every night.
Advertisement

Editor's Picks

Advertisement

PAgeskin