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I've given up pretending I'm not interested in watching a new Stars Wars movie.

Hunter Davies, who in 1968 wrote the first authorised biography of The Beatles and now more than 50 years on has compiled and edited The John Lennon Letters, admits in his introduction that he has for the purposes of the book ‘rather expanded the definition of the word letter’, which immediately sounds bit slippery, especially when he also describes some of the material he has unearthed as ‘notes and lists and scraps’. This sounds rather unpromising, as if Davies is preparing the reader for disappointments to come.

Ben Affleck. Who'd have thought..? I remember going to a sparsely attended screening of Jersey Girl, Kevin Smith's laugh-free 2004 romcom with Affleck cast alongside his then girlfriend, Jennifer Lopez, and wondering what had happened to derail such a promising career.

You catch us on a pretty busy day, deadlines fast approaching for our last issue of 2012. That’s the one, of course, that traditionally carries our end-of-year lists of best albums, reissues, films, DVDs and books. This means we’ve all been recently asked to nominate our personal Top 20s, from which John has been compiling the definitive countdown, the full list to be published when he’s finished his painstaking calculations in the Uncut that comes out at the end of November.

As you might expect of a book about Leonard Cohen, Sylvie Simmons spends a fair proportion of I’m Your Man writing about love, faith, depression, finance, and the demands and consolations of poetry and women. Mostly, though, the focus of this hefty and thorough book is Leonard Cohen’s charm: about how an exceptionally gifted artist has seduced most everyone who has come into contact with him, through the course of an uncommonly eventful life.

If you've ever suspected that Brian Eno's enduring reputation as an avant-garde genius is more mythical than actual, his discography from the past few years makes for a satisfying read.

As the first song of Jessica Pratt’s first album begins, you could be forgiven for believing it was a private press folk album from the early ‘70s. The work of a lost canyon comrade of Linda Perhacs, perhaps, or the implausibly lovely efforts of a “Blue” disciple from some one-horse town in the mid-west.

Usual excuses about too much work to do (currently: a forthcoming Ultimate Music Guide on The Kinks, and the dark mathematics of Uncut’s end-of-year charts, as well as the rest of the next issue) mean that I failed yesterday to write a review of the Six Organs Of Admittance show at Birthdays in Dalston.

In 2009, Uncut spoke to The Wire’s creator David Simon, shortly before the broadcast of his follow-up series, Treme. The show was set during the aftermath of 2005’s Hurricane Katrina in New Orleans, a city that Simon felt had effectively been abandoned by the rest of America since the storm. “The only thing that brought this city back was the people who understand its unique culture and who participate in that culture refused to give that up,” he told us.

For those who are disappointed not to have scored a ticket to see the Rolling Stones in 2012, then there is some slight consolation.