For me, the strangest moment during last night’s flurry of Arcade Fire activity – Bowie! two videos! world tour! – was the footage of the band stepping out of a limousine in Montreal wearing giant papier mâché heads.
Jaan Uhelszki, as you may have seen in the current issue of Uncut, recently spent some time with Bill Callahan at his home in Austin. One of Jaan’s great skills is her ability to conduct a forensic sweep of any environment she finds herself in, and on Callahan’s bookshelves, she notes, are “Bass Playing For Dummies… a King Tubby DVD… Learning Spanish by Michael Thomas, ‘The Language Teacher To The Stars’… a Stephen Crane reader.”
Of all the guitarists associated with the Takoma School, it’s hard to think of one who imbued folk music with quite as much mystical portent as Robbie Basho. 1978’s “Visions Of The Country”, his tenth album, is a fantastic case in point: “I would paint for you a portrait of North America as a beautiful woman,” he wrote in the original sleevenotes, “when she was young and untamed.”
I guess there are probably worse jobs to return to after a fortnight’s holiday. I arrived back in the Uncut office yesterday to be greeted by a big pile of new releases, which I’m still picking my way through. Currently playing: Track Two of Damon’s reissued “Song Of A Gypsy” – “Generally regarded,” it says here in the press release, “as one of the finest privately-pressed psychedelic rock records” of the late ‘60s. We shall see.