Stephen Malkmus & The Jicks at End Of The Road 2014 - review British Sea Power at End Of The Road 2014 - review Connan Mockasin & St Vincent at End Of The Road 2014 - review Cate Le Bon & Sam Lee at End Of The Road 2014 - review

Stephen Malkmus & The Jicks at End Of The Road 2014 - review British Sea Power at End Of The Road 2014 - review Connan Mockasin & St Vincent at End Of The Road 2014 - review Cate Le Bon & Sam Lee at End Of The Road 2014 - review Gruff Rhys at End Of The Road 2014 - review Yo La Tengo at End Of The Road 2014 - review Richard Thompson & Tinariwen at End Of The Road 2014 - review As far as spectacles go, The Flaming Lips still go that extra mile. Their headline set on the Woods Stage at End Of The Road tonight (Saturday) is the most colourful and psychedelic I've ever seen at the festival, perhaps ever seen full-stop.

Stephen Malkmus & The Jicks at End Of The Road 2014 - review British Sea Power at End Of The Road 2014 - review Connan Mockasin & St Vincent at End Of The Road 2014 - review Cate Le Bon & Sam Lee at End Of The Road 2014 - review The Flaming Lips at End Of The Road 2014 - review Yo La Tengo at End Of The Road 2014 - review Richard Thompson & Tinariwen at End Of The Road 2014 - review Earlier this afternoon, Gruff Rhys introduced his American Interior film in the Cinema tent at End Of The Road - "I don't really know what I'm supposed to be doing," his speech began, endearingly.

Stephen Malkmus & The Jicks at End Of The Road 2014 - review British Sea Power at End Of The Road 2014 - review Connan Mockasin at End Of The Road 2014 - review Gruff Rhys at End Of The Road 2014 - review The Flaming Lips at End Of The Road 2014 - review Yo La Tengo at End Of The Road 2014 - review Richard Thompson & Tinariwen at End Of The Road 2014 - review One of the highlights of Saturday so far is Cate Le Bon, performing with her three-piece band on the Garden Stage. The vast majority of the set is taken from last year's excellent Mug Museum, and that album's brittle, angular cuts like "I Can't Help You" are the most exciting of the show.

Stephen Malkmus & The Jicks at End Of The Road 2014 - review British Sea Power at End Of The Road 2014 - review Cate Le Bon & Sam Lee at End Of The Road 2014 - review Gruff Rhys at End Of The Road 2014 - review The Flaming Lips at End Of The Road 2014 - review Yo La Tengo at End Of The Road 2014 - review Richard Thompson & Tinariwen at End Of The Road 2014 - review As some of the stages draw to a close, I catch Swedish singer-songwriter Alice Boman over at the Uncut Tipi Tent. Joined by three other musicians, including a very subtle brass player, Boman charms the crowd with her extremely mellow, piano-based pieces.

Stephen Malkmus & The Jicks at End Of The Road 2014 - review Connan Mockasin & St Vincent at End Of The Road 2014 - review Cate Le Bon & Sam Lee at End Of The Road 2014 - review Gruff Rhys at End Of The Road 2014 - review The Flaming Lips at End Of The Road 2014 - review Yo La Tengo at End Of The Road 2014 - review Richard Thompson & Tinariwen at End Of The Road 2014 - review End Of The Road must cause a bit of a problem for British Sea Power - when you normally deck your stages out with leafy branches, what do you do when you play a festival which surrounds all its stages with lush foliage? You bring along even more foliage, of course, and cover it all in streams of fairy lights.

British Sea Power at End Of The Road 2014 - review Connan Mockasin & St Vincent at End Of The Road 2014 - review Cate Le Bon & Sam Lee at End Of The Road 2014 - review Gruff Rhys at End Of The Road 2014 - review The Flaming Lips at End Of The Road 2014 - review Yo La Tengo at End Of The Road 2014 - review Richard Thompson & Tinariwen at End Of The Road 2014 - review Welcome to our coverage of this year's End Of The Road Festival! We love it here at the Larmer Tree Gardens in Dorset, and even more now we have, for a second year, our own stage, the fantastic Tipi Tent.

There is a song on "Aerial", Kate Bush's eighth and possibly best album, called "Bertie". "Here comes the sunshine," it begins, "Here comes that son of mine/Here comes the everything/Here's a song and a song for him." Nine years later, here, perhaps is a show for him: an unexpected comeback; a ravishing absurdity; a launchpad for his theatrical aspirations. Our pleasure may, to some degree, be collateral.

It's a satisfyingly busy time for music films at the moment. The excellent Nick Cave documentary, 20,000 Days On Earth, is upon us; following swiftly in its wake are biopics of James Brown and Jimi Hendrix.

Last year, Warp Records embarked on a campaign for Boards Of Canada's "Tomorrow's Harvest" comeback that was notable for its obtuseness. Unmarked 12-inches were hidden in record stores, strings of numbers and inexplicable broadcasts were strewn enigmatically across the internet. At one point, I recall some talk of red moons and feverish online triangulations pointing to a bookshop near Edinburgh as the centre of the universe. It was all fun, and the album at the end of it all was great, but perhaps it wandered a little off course as it went on.