Americana cult hero gets down to basics

Swedish punk with melodic flair

An authentic children's band from Lewes, East Sussex, Hunkydory signed to that safe haven for eccentrics, él records, in 1988. These five precocious children sang and played all their own instruments, with the bulk of the material being written and arranged by one of the band's dads. When él's funders Cherry Red heard the material they got cold feet, and withdrew funding. Fifteen years on, this time capsule is a perfect, irony-free companion to the bubblegum escapist fantasies of sibling Siesta acts Death By Chocolate and Lollipop Train.

The Sex Pistols go Cossack

Montreal cult band keep their long ears trained on sophisticated '70s pop

Atmospheric debut featuring past and present members of Piano Magic

Former frontman of Avalanche and Ennui does it his way

Even if you remain immune to the dark charms of Joss Whedon's mighty Buffy The Vampire Slayer, you'll have noticed that some of us drone on about The Musical Episode from season six like it was the second coming of Abbey Road, Diamond Dogs and Closer. It is absolutely that and no less. The soundtrack, my most prized possession since someone burned it off a mobile MP3 laptop duck-billed web-pager for me (or whatever), is now officially released by popular demand, the first authentic use of the phrase 'by popular demand' since Disraeli's era.

After the steamy funk of Boogie Nights and the Aimee Mann tearjerkers of Magnolia, PT Anderson's new film basks in heady strings and wonky harmoniums, scored by regular collaborator Jon Brion. It's deliberately dizzying and disorientating, and not always pleasurable. But the borrowing of Nilsson's "He Needs Me" from Altman's Popeye, sung with sugary desire by Shelley Duvall, is inspired. Waiting to interview Anderson in a hotel lobby recently, I congratulated Emily Watson on her singing of this. It's the only thing I've ever said to Emily Watson.

Underwhelmed as we are by franchise McBlockbusters, this score's by the really rather talented Howard Shore, who was responsible for the coolly sexy sounds which rippled under David Cronenberg's Crash. His soppy strings for the first Baggins movie won him all manner of awards and made the UK Top 10. This one is distinguished by its remarkable guest vocalists: Iceland's Emiliana Torrini and former Cocteau Twin Elizabeth Fraser—from "Pearly-Dewdrops' Drops" to Gollum and Samwise: it makes a kind of sense, no?