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Peter Watts ...

Peter Watts

How The Beatles became movie stars: “They were quite skilled in the process of making films”

We chart a Fabulous course from Pathé newsreels and pop promos to the roof of Apple and beyond

Crosby, Stills, Nash & Young – Déjà Vu: 50th Anniversary Deluxe Edition

The 1970 classic expanded with demos, outtakes and unreleased material

Stephen Stills on CSNY: “We were all quite full of ourselves”

Déjà Vu revisited and more

Inside Bob Dylan’s Rolling Thunder Revue: “A floating ship of crazies!”

We revisit Dylan's epic 1975 and 1976 tours

Cory Hanson – Pale Horse Rider

Pedal steel, drifters and lowlifes combine on Wand frontman’s mesmerising countrified solo set

Alice Cooper on The Stooges and MC5: “We were three different types of theatre”

How Detroit created a hard rock monster

Music, Money, Madness… Jimi Hendrix Live In Maui

Documentary spills the beans on one of Jimi Hendrix’s final – and weirdest – live performances

The Damned reunited: “We make an explosive sound together”

All four original members discuss their surprise reunion

Adrianne Lenker – Songs/Instrumentals

Big Thief songwriter breaks down the barriers for beautiful solo offering

How Bruce Springsteen made his new album, Letter To You

"It was a very special week in the life of Bruce and the E Street Band"
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On a sunny spring day in 1966, midway through the Revolver sessions, The Beatles decamped to Chiswick House for an afternoon’s filming. The band had selected the landscaped grounds of this 18th-century stately home to film two promotional videos for their single Paperback Writer/Rain. Ready Steady...

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