I must admit, I find it hard to throw myself willingly into the arms of Martha Wainwright. This isn't necessarily anything to do with her song craft -- which is sleek, consummate, and delivered with commendable laser precision. She is, I guess, part of a lineage of perfectly respectable quality singer-songwriters who can find an equilibrium between a more benign, FM Radio 2 friendly audiences and those searching, perhaps, for something that's clearly in tune to profound emotional feelings.

Excuse us while we go a bit "duuude," on your asses. "This is awesome, the sheep are painted fucking pink. It's so psychedelic, and I haven't even taken a thing," says Reggie Youngblood, singer of Florida's Black Kids, who take the stage in the UNCUT Arena as a spear of late afternoon sunshine pierces the cloud.

So, there's Paul Merton -- no less -- smoking a cigarette and eating a baked potato. This, gentle reader, is the first thing I see at this year's Latitude -- and, surely, as celeb/food/fag interfaces go this might well take some beating.

You might wonder what connects the bucolic charm of Latitude, snuggled there in the Suffolk countryside, to Springfield, Matt Goening’s fictional burb in The Simpsons.

At first glance, it might seem strange to find Shane Meadows shooting a “legacy project” recording Eurostar’s move from Waterloo to St Pancras. Meadows, after all, is best known for a raft of movies that’ve chronicled suburban working class life in and around his native Nottingham. He’s hardly, you’d think, the obvious candidate to shoot a promo film intended to, ah, push the boundaries of brand communications. And for a company whose most memorable contribution to advertising featured Kylie skipping gaily round Paris.

“If you’re not pissed off,” so says the banner on Mark Thomas’ website, “you’re not paying attention.” You could say, then, that Thomas has been professionally pissed off now for about 20 years.

Coming to you live from Mars, the sci-fi loving Never Mind The Buzzcocks team captain will be dispensing more of his unique brand of humour in the Comedy Area. Bailey will doubtless be one of Latitude’s highlights – his fantastic sets usually feature surreal, digressive routines covering everything from Star Trek to otters.

Previously, Radio 4 has hosted its arts magazine show, Loose Ends, from Latitude. Loose Ends returns this year, to the Radio 4 stage, along with satirical comedy The Now Show, Roger McGough's Poetry Please and current affairs programme, Broadcasting House. But surely the most impressive presence on the Radio 4 bill is the legendary panel game, Just A Minute.

If there’s anyone appearing on the Latitude bill this year who might legitimately be able to claim that poetry is the new rock’n’roll, then step forward Huddersfield’s finest, Simon Armitage.

THE INCREDIBLE HULK DIR Louis Leterrier ST Ed Norton, Tim Roth, Liv Tyler OPENS JUNE 13, CERT 12A, 112 MINS HH Ang Lee’s spectacularly misguided 2003 film version of The Hulk was something of a turning point in the history of comic book adaptations. By trying to bring emotional depth and philosophical musings to the party, he proved irrefutably that such highbrow ideas have no place in the Marvel’s simple four-colour universe. After all, what use are King Lear allegories when all the ticket-buying public want to see is Hulk smash puny humans?